Sousoší práce
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| Address : | nábř. Kpt. Jaroše 170 00, 170 00 Praha 7-Holešovice, Czechia |
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| City : | Praha 7 Holešovice |
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★ ★ ★ ★ ★ Alegorické sousoší vytvořil mezi lety 1911-13 Jan Štursa za spolupráce s Otakarem Velinským a Františkem Řehořem. Materiálem je velmi tvrdý boháňský pískovec - sochy bývají označovány za první významné dílo z tohoto druhu kamene u nás. Původně byly osazeny při vjezdu na most, při stavbě mimoúrovňové křižovatky v roce 1956 byly restaurovány a přemístěny. V obou případech tvoří sousoší čtyři figury. Ženské a mužské postavy jsou střídavě zobrazeny ve stojících a poloklečících pózách.
The allegorical sculpture was created between 1911-13 by Jan Štursa in collaboration with Otakar Velinský and František Řehoř. The material is very hard Bohemian sandstone - the sculptures are often referred to as the first significant work made of this type of stone in the Czech Republic. They were originally installed at the entrance to the bridge, but were restored and relocated during the construction of the intersection in 1956. In both cases the sculpture consists of four figures. The female and male figures are alternately depicted in standing and semi-kneeling poses.
 The allegorical sculptural group was created between 1911-13 by Jan Štursa in collaboration with Otakar Velinský and František Řehoř. The material is very hard Bohanov sandstone - the sculptures are often called the first significant work of this type of stone in our country. Originally installed at the entrance to the bridge, they were restored and relocated during the construction of the level crossing in 1956. In both cases, the sculptural group consists of four figures. Female and male figures are alternately portrayed in standing and kneeling poses.
The allegorical sculpture was created between 1911-13 by Jan Štursa in collaboration with Otakar Velinský and František Řehoř. The material is very hard Bohemian sandstone - the sculptures are often referred to as the first significant work made of this type of stone in the Czech Republic. They were originally installed at the entrance to the bridge, but were restored and relocated during the construction of the intersection in 1956. In both cases the sculpture consists of four figures. The female and male figures are alternately depicted in standing and semi-kneeling poses.
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